I was invited to a behind-the-scenes presentation of the manuscript collection at the Getty Research Institute today. It was an amazing and inspiring experience. These are some snapshots I managed to take of some of the typography, calligraphy, engravings, and illustrations I saw. Oh, that D.V.L. you might spot in there: Da Vinci Leonardo... Sayin'!
• Letters of Recommendation I
• Letters of Recommendation II
• Letters of Recommendation III
• Letters of Recommendation IV
An early version of Cinta Adhesiva appeared on the cover of a few issues of a graffiti zine I put out called Free Copy. It was then developed further for another zine I made in collaboration with Moab called Text. (I'll be posting downloadable copies of some of the early issues soon.)
Cinta Adhesiva was inspired in part by signage I'd been documenting over the years that incorporated stencils clearly formed by adhesive tape and/or featured letters drawn by using the tape itself.
I also looked to hand-painted letters and numerals for inspiration, particularly those executed with broad brushes and paint rollers.
The random traces of tape left behind on many city surfaces helped me work out the font's punctuation marks and special characters.
Of special note is the large-scale lettering of graffiti writers Hael and Crae. Their work directly informed the weight of Cinta Adhesiva and the decision to shape the letters using wide tape.
I am currently working on a type specimen/zine featuring Cinta Adhesiva. I'll post it here when it's done. In the meantime, you can peep more info on Wordshape and MyFonts. Over and out.
Because sharing is caring: Lettering from Sanborn Fire Insurance Maps circa 1880-1920. (Via BibliOdyssey.)